Thursday, April 25, 2013
What I found the most interesting about the readings thus far in Super Sad True Love Story was the emphasis on youth and body image. There seems to be an extreme fear of aging in this “new United States”, so much that the main social network that everyone is expected to be a part of is called “GlobalTeens”, even though its members are all ages. The ideal seems to be some sort of chemically-induced youth, so that one can float almost in a transitory non-aging state— Lenny comments on his boss, Josh, that he cannot tell what age he is. Lenny is constantly surrounded by people who are obsessed with images of youth and making their bodies last longer (even his job is trying to sell immortality to people). These people act as foils to Lenny who appears in stark contrast as truly old-fashioned person. He ages, he reads, he doesn’t know the slang of the youth. But because he is so different from the rest of characters and the society itself, he seems comfortingly familiar. He is the last vestiges of the society that predated that of Super Sad True Love Story, the one that we exist in now. Though Lenny’s desires point him increasingly towards conforming to the ideals of society— getting chemical treatment, reading less books, etc., he is still the reader’s only real grounding on the dramatic turns that this new society has taken. In a strange way, Lenny is ‘carrying the fire’— of books, of privacy, of aging, and I have a feeling that he will come to realize his importance later in the novel, as his relationship with Eunice Park is developed.
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Hey Wesley,
ReplyDeleteThanks for an interesting blog post! It seems that in many of the dystopian novels we read the characters with whom we can connect with the most, as a result of these comforting similarities, are the outcasts of the new society. In The Road, the father and son are a rare exception to the new and cruel way of life. They hold onto their civilized values much like Lenny seems to hold onto old world values that make him human and relate him to us. I like that you made that connection. Very interesting. I think having characters that hold onto the old values of society make it easier for the reader to imagine themselves in the society and how they would cope with it. It sounds like the author may be hinting that we would (or maybe we are beginning to) gravitate towards such things as chemical treatments, as Lenny is, despite efforts to maintain traditional values.
This is so true of Lenny - like an old book, he seems familiar though not necessarily likeable. Lenny's humanness makes us realize how alien the rest of his society is, despite the fact that the society is also strikingly similar to our own. But because Shteyngart presents that world with such distaste, we are meant to be drawn toward Lenny and prefer his old world to the sleek new one.
ReplyDeleteThe obsession with body image is definitely present in the dystopian society of Brave New World. People are chemically altered so as to never get fat or old. A normally aged human is considered so bizarre that people feel nauseous at the sight of Linda, a moderately rotund and wrinkled woman. Based on other posts about SSTLS, it seems to me that in both books people are having less meaningful relationships and interactions with others. Perhaps this is a direct result of the cultural mania regarding people’s outward appearance as opposed to their personalities.
ReplyDeleteWesley, I found your post to be very interesting. I am reading The Hunger Games, and you see many elements of this distorted focus on youth and beauty in Panum. In the beginning of the novel, when the tributes arrive at the Capital, they are immediately taken to get made over. Katniss is even lit alight so that people will notice her. Furthermore Katniss is always worrying about how she will appear on tv so that she can get sponsors. She knows that she won't just be judged on her performance, she will be judge on what she looks like as she's competing. I think this obsession with watching youthful individuals on tv reflects our society today. I think that in The Hunger Games, Super Sad True Love Story, and our society all have this focus in common. The two novels we are reading just magnify and comment on what potential effects this focus can have.
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